Premiere

A premiere (or première, French for "first") is the debut (first public presentation) of a play, film, dance, or musical composition.

Raymond F. Betts attributes the introduction of the film premiere to Sid Grauman.

See also

References

External links

Media related to Premiere at Wikimedia Commons

Première!

Première! is Portuguese alternative rock band Qwentin's debut album, released on November 15, 2007 on Raging Planet records.

Track listing

Songs

¡Fatalidad!

The album's first song was, curiously, the last one written. Sung in Spanish, it reflects on the frailty of life, comparing it to an island "completely surrounded by death" ("somos solamente islas, pequeñas porciones de vida rodeadas de muerte por todos lados". These reflections are conveyed through the point of view of a fictional character who recalls everything that came to his mind while nearly drowning.

Casualty Friday

Although it appears before "Mind (the) Thieves" (track #11), it is a sequel of it, as one might notice through the opening riff. The lyrics are in English.

Il Commence Ici

The album's first single, "Il Commence Ici", is spoken in French. The main theme is the concept of reality, as an ever-changing element of life ("le monde qu'on voit tous les jours quand on se réveille est sujet à des constantes mutations, transformations, déformations" - "the world that we see everyday, when we wake up, undergoes constant mutations, transformations, deformations").

Premiere (magazine)

Premiere was an American and New York City-based film magazine published by Hachette Filipacchi Media U.S., between 1987 and 2010. The original version of the magazine, Première, was established in France in 1976 and is still being published there.

History

The magazine originally had offices in Los Angeles and New York and was published by Rupert Murdoch. The founding editor was Susan Lyne and many notable people worked under her, including Peter Biskind who spent a decade at the magazine as executive editor and went on to write the bestselling book, Easy Riders, Raging Bulls. He said that early on the magazine "gave us a lot of freedom to do hard-hitting, in-depth reporting." Chris Connelly is another former editor who went on to work as a correspondent for ESPN and contributing correspondent for ABC's 20/20 and a commentator backstage at the Academy Awards.

News Corporation sold the magazine to K-III (later Primedia) in 1991, and Hachette reacquired the magazine in 1995.

Low (Flo Rida song)

"Low" is the debut single by American rapper Flo Rida, featured on his debut studio album Mail on Sunday and also featured on the soundtrack to the 2008 film Step Up 2: The Streets. The song features fellow American rapper T-Pain and was co-written with T-Pain. There is also a remix in which the hook is sung by Flo Rida rather than T-Pain. An official remix was made which features Pitbull and T-Pain. With its catchy, up-tempo and club-oriented Southern hip hop rhythms, the song peaked at the summit of the U.S. Billboard Hot 100.

The song was a massive success worldwide and was the longest running number-one single of 2008 in the United States. With over 6 million digital downloads, it has been certified 7× Platinum by the RIAA, and was the most downloaded single of the 2000s decade, measured by paid digital downloads. The song was named 3rd on the Billboard Hot 100 Songs of the Decade. "Low" spent ten consecutive weeks on top of the Billboard Hot 100, the longest-running number-one single of 2008.

Radio (Darius Rucker song)

"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.

Content

The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.

Critical reception

The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."

Radio (LL Cool J album)

Radio is the debut studio album by American rapper LL Cool J, released November 18, 1985 on Def Jam Recordings in the United States. It serves as the label's first full-length album release. Recording sessions for the album took place during 1984 to 1985 at Chung King House of Metal in New York City. The album was primarily produced by Rick Rubin, who provided a sparse and minimal production style. Radio also features a sound that is punctuated by DJ scratching, mostly brief samples, and emphasis of the downbeat. LL Cool J's b-boy lyricism conveys themes of inner city culture, teenage promiscuity, and braggadocio raps.

The album experienced a significant amount of commercial success and sales for a hip hop record at the time, earning U.S. Billboard chart success and selling over 500,000 copies within its first five months of release. On April 19, 1989, Radio was certified platinum in sales by the Recording Industry Association of America (RIAA), following sales in excess of one million copies in the United States. Initial criticism of the album was generally positive, as LL Cool J's lyricism and Rick Rubin's production were praised by several music critics. It has since been recognized by critics as LL Cool J's greatest work.